Tenor
Italo-Ecuadorian tenor David Esteban made his role debuts in the 2022-2023 season as Cavaradossi Tosca with Schleswig-Holsteinisches Landestheater, as Pinkerton Madama Butterfly with Vanemuine Theatre in Tartu and as Carlo Giovanna D’Arco at the Estonian National Opera in Tallinn, which will be revived in the spring 2024. This season he performs Alfredo La Traviata and the title role of Britten's Peter Grimes with Schleswig-Holsteinisches Landestheater and appeared as Cavarossi in Bremerhaven and as Prince Rusalka in Karlsruhe.
As a member of the ensemble at Theater Krefeld Mönchengladbach from 2018 until 2022 his repertoire included Don José Carmen, Ismaele Nabucco, Duca Rigoletto, Prince Rusalka, Orpheus Orpheus in der Unterwelt, Chevalier de la Force Dialogues des Carmélites, Laertes Hamlet, Simpleton Boris Godunov, Narraboth Salome, Tamino Die Zauberflöte, Tenor Meisterklasse and Kasimir Babylas Salon Pitzelberger.
David Esteban has sung Don José Carmen at Vanemuine Theatre in Estonia, with Kammeroper Schloss Rheinsberg, at Auditorio de Zaragoza and the Tirana National Theatre. His role debut as Rodolfo La Bohème took place at Stadthalle Balingen. He performed Tamino Die Zauberflöte in Busan as well as Alfredo La Traviata and Edgardo Lucia di Lammermoor at the Ulsan Arts Centre in South Korea in 2019.
In concert he has sung Bruckner’s Te Deum at Liederhalle Stuttgart, Verdi's Requiem in Stuttgart as well as Rossini’s Petite Messe Solennelle in Stuttgart, Bergamo and Pavia. He has participated in several opera galas in Krefeld and Mönchengladbach.
David Esteban received his Bachelor’s degree from the Conservatory in Naples, Italy, and was a member of the Centro de Perfeccionamento Placido Domingo in Valencia in the 2014/2015 season. He sang Flavio Norma and Abdallo Nabucco at the Palau de les Arts in Valencia. Subsequently he obtained Master’s degrees from the Conservatory of Valencia and from the Opernschule Stuttgart, Germany. In a student production he sang his first Duca Rigoletto at Wilhelma Theater.
