Eduardo Aladrén



  • 2007 USA Debut Palm Beach Opera as Pinkerton in Madama Butterfly

  • 2009 Latinoamerica debut at Teatro Bellas Artes in Mexico with Mahler’s Das Lied von der Erde

  • 2017 Russian debut at Novaya Opera Moscow as Cavaradossi in Tosca

  • 2019 Role debut as Calaf in Turandot at Festival Pucciniano in Torre del Lago

  • 2019 - 2021 Soloist Tenor at the Ensemble of the Deutsche Oper am Rhein in Düsseldorf.

  • 2020 Norwegian debut at the Norske Opera House in Oslo as Pinkerton


A member of the ensemble at Deutsche Oper am Rhein in Düsseldorf from the 2019/20 season, Spanish tenor Eduardo Aladrén can look back to an exiting year with his debut as Calaf in Turandot at the Festival Pucciniano in Torre del Lago and the Latvian National Opera in Riga, Pinkerton at Den Norske Opera in Oslo, in addition to his roles in Düsseldorf: Rodolfo in La Bohème, Pinkerton in Madama Butterfly, Alfredo Germont in La Traviata and Cavaradossi in Tosca.
He is looking forward to his upcoming engagements as Turiddu in Cavalleria Rusticana at Finnish National Opera in Helsinki and Isamele in Nabucco at Teatro Real in Madrid.

Eduardo Aladrén began studying voice at the Music Conservatory of Zaragoza. From 2000-2003 Mr. Aladrén continued his vocal studies at the “Escuela Superior de Canto” in Madrid and holds a Performance Diploma in Voice from the Jacob’s School of Music of the Indiana University in Bloomington.

The following years Aladrén performed throughout Spain several leading Zarzuela roles with the Lyric Theater of Zaragoza and other companies in Madrid. His debut at the renowned Teatro de la Zarzuela of Madrid took place in 2001 with the zarzuela “Pan y Toros” (Barbieri), under the baton of Maestro Josep Pons.

In 2005-07 Eduardo Aladren sang as a Resident Artist with the Palm Beach Opera where he performed more than 10 principal roles on the main stage including Aida, Tosca, The Magic Flute, Pagliacci, Madama Butterfly, as well as the title role in Werther and as Nicias in Thaïs within the Palm Beach Opera’s “Opera in One Hour” series. He also made his debut in the Miami Dade-County Auditorium where he sang Danilo in Lehár’s The Merry Widow and returned there as Rene in Der Graf von Luxemburg in 2008.

Highlights of the 2008/09 season include La Fanciulla del West at Saint Bart’s Festival in the French West Caribbian Islands, the Soloist Tenor in Gustav Mahler’s Das Lied von der Erde with the Bellas Artes Theater Symphony Orchestra in Mexico as well as Beethoven’s C major Mass and Puccini’s Messa di Gloria with the Palm Beach Symphony Orchestra. He also performed Alfredo in La Traviata in Zaragoza and in an opera concert series tour with the prestigious Symphony of the Americas.

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In the following years, he pursued a very busy career in Germany, which he later made his home: Cavaradossi in Bremen and Heidelberg, Don José in Potsdam and the summer festival Musik und Theater Saar, Luigi in Puccini’s Il Tabarro in Bayreuth, Alvaro in Verdi’s La Forza del Destino to the Schwerin Schlossfestspiele, Pinkerton in Aachen and Schwerin, and Alfredo in Bremerhaven. In addition, he was also heard in the title role of Andrea Chenier at the National theatre Szeged (Hungary), as Don Carlo in Madrid and as Werther at the New National theatre in Tokyo.

During the 2016-18 seasons, Eduardo Aladrén made several important debuts: at the Deutsche Oper am Rhein in the role of Pinkerton, his Italian debut at the Luglio Musicale Trapanese as Radames and his Russian debut as Cavaradossi at the Novaya Opera Theatre in Moscow. Aladrén also made his debut as the soloist tenor in Verdi’s Requiem at the Opera theater in Halle and Bonn, and sang Don Carlo at the St. Gallen Opera House.



E lucevan le stelle (Tosca) - Tenor Eduardo Aladrén

Celeste Aida - tenor Eduardo Aladren

Concert Repertoire

Ludwig van Beethoven    

Mass in C Minor
Symphony No 9

Gustav Mahler   

Das Lied von der Erde 

Giacomo Puccini  

Messa di Gloria

Ariel Ramírez  

Missa Criolla

Gioachino Rossini   

Petite Messe Solennelle

Giuseppe Verdi   



Press Kit


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Interview Eduardo Aladrén